Patterson, James. Maximum Ride: The Angel Experiment. Little, Brown & Company, 2005. ISBN 031615556X. Ages 11-14.

Max is just a kid, but she’s a kid with a lot of responsibilities—five brothers and sisters to be exact. Oh, and she and her siblings can fly. After the mutant Erasers abduct their youngest sister Angel, the “bird kids,” who are the result of genetic experimentation, take off in pursuit. Throughout their adventurous journey, they also find themselves struggling to understand their own origins and purpose as they fight to keep the only family they’ve ever known together, no matter what the cost.

This story, as well as the others in Patterson’s bestselling series, is adventure-packed and the characters are well developed. The plot is fast-paced and visually dynamic, with short chapters perfect for keeping even the most reluctant reader’s attention. The story tells of a futuristic world when child mutants are created to fight man’s wars in hopes of gaining the most power, even at the expense of the child. Tweens will have an easy time relating to the recombinants’ feelings of not belonging and feeling different, as well as Max’s feelings of responsibility for her younger siblings.

Harrison, John Kent. (Director). (2003). A Wrinkle In Time [Motion picture]. United States: Disney. Ages 9-14.

When their father goes missing, Meg and Charles Wallace are certain that he is somewhere and needs to be found. Together with a neighbor friend named Calvin, they embark on a magnificent journey through the universe and time in search of him, with the help of Mrs. Whatsit, Mrs. Who and Mrs. Which. They find him on a distant planet controlled by IT, a pulsating brain-like creature living beneath the surface. But when Charles Wallace is taken under IT’s control, it is up to Meg to save Charles Wallace and bring her family back together again. Based on the Newbery medal-winning book by Madeleine L’Engle.

Boyce, Frank Cottrell. Cosmic. Walden Pond Press, 2008. ISBN 978-0061836831. Ages 9-12.

It’s not Liam’s fault he keeps getting mistaken for an adult—he’s abnormally tall for a twelve-year-old and already has facial hair. And he can’t act his age because everyone says, “He should know better.” So after being mistaken for the father of his friend Florida, Liam decides to try his hand at being an adult. Soon Liam and Florida are on their way to China after winning a father/child contest to be one of the first kids in space, only Liam isn’t a "kid" anymore. So when the dads get to compete to see who gets to join the children on the spaceship, Liam uses his inner child to win the final spot. But all goes wrong once they take off, and Liam finds himself stuck between two worlds once again.

Liam is the quintessential tween—no longer a child but not yet an adult. And even though he is not allowed to do adult things, he keeps getting mistaken for one anyway! Ironically, Liam finds himself viewing life and the world around him as an adult and a father when he chooses to play the role with Florida. And as he finds himself making more adult decisions, he soon comes to admire and appreciate the role that adults and parents play in their children’s lives. Stuck out in the middle of space, Liam manages to find a middle ground between being responsible and “adult-like,” while still allowing himself to embrace not growing up just yet.

Westerfeld, Scott. Uglies. Simon Pulse, 2005. ISBN 978-0689865381. Ages 12-14.

In Tally’s world, no one wants to be an Ugly. So that’s why she can’t wait to turn sixteen so she can have the operation that will turn her into a Pretty. But then she meets Shay, an Ugly who would rather run away and rough it on the outside then be turned into a Pretty and move into their superficial world. Soon they meet a whole society of Uglies who inform them about the true intentions behind the Pretty operation. And when they get caught, Tally must make a life-changing decision—turn in her new friend or stay Ugly for the rest of her life.

The author's story provides a social commentary on the need to be flawless in today's society in the style of other dystopian works. Tween readers will initially be intrigued by the idea of becoming a Pretty, but will soon realize that there is more to life than image and that the power of the mind is more important and not something to be given up lightly.

Stead, Rebecca. When You Reach Me. Wendy Lamb Books, 2009. ISBN 978-0385737425. Ages 9-12.

Miranda is your average latchkey child growing up in 1978, and navigating the streets of New York City. But her world starts to turn upside down when her best friend refuses to talk to her, and then she begins receiving anonymous notes talking about things that haven’t even occurred yet. Suddenly, all the pieces begin to fall into place and Miranda sees the big picture. But is it too late to help her anonymous friend accomplish his mission?

Though the book is set in a time period that few tweens will identify with, they most certainly will identify with the central issues addressed by Stead. This remarkable story manages to keep you guessing to the very end, weaving in fantastic ideas of time travel with the everyday relationships of a tween girl. Each of these relationships are dynamic on their own—the partnership she shares with her mother, the curious bond that grows between her and Marcus, the budding friendship with Annemarie, and the seemingly bitter rivalry with Julia—but together they encompass what it truly means to be a tween. Tweens will no doubt identify with this story, traveling through time themselves as they discover the importance of making things right.

Bloor, Edward. London Calling. Alfred A. Knopf, 2006. ISBN 978-0375836350. Ages 10-14.

If anyone has something to be depressed about, it’s Martin Conway. His father is a drunk and a disgrace to the family. His family worships his late grandfather, whom he was named after. And his mother insists on making him attend All Souls Preparatory in order to live up to that namesake. But all Martin really wants to do is sleep. So when he receives his grandmother’s old radio and through it a young boy reaches out to him from the past, Martin is sure he’s going crazy. But fact by fact, every “dream” he experiences checks out. And as the story unfolds, he is asked the all-important question—What did you do to help?

This powerful and moving book not only chronicles a heartbreaking story set in WWII London, but also the story of a young boy who is battling his own demons on several fronts. Besides suffering through the everyday battles of being in middle school, he is dealing with real issues of alcoholism and depression in his family, and surviving a war in his dreams. Martin is a dynamic character, struggling to make sense of the world around him. Bloor does so by illustrating his struggles through vivid flashbacks, where you can almost feel the bombs dropping and smell the fires burning. Together with Martin, tweens will struggle to figure out his purpose, and perhaps walk away from the book wondering what they can do to help as well.

Philbrick, Rodman. The Last Book in the Universe. Blue Sky Press, 2000. ISBN 0439087589. Ages 10-14.

In the backtimes, the Big Shake nearly destroyed everything. Now in this post-apocalyptic future, there is no color except grey and brown and normals live in the Urb, trapped amidst violence and despair. Against all odds, Spaz must navigate his way through the Urb’s latches, facing gangs and turf wars in order to reach his ill sister. On the way he meets Lanaya, a proov (or a genetically improved human) who lives in Eden, a paradise that lies off limits at the center of the Urb. With the help of others he meets on the way, Spaz manages to reach his sister safely, where he finds her near death. Together they work to sneak her into Eden so that she might be saved. But will a taste of paradise spoil Spaz’s fight for life in the Urb, or will it drive him to fight for something better?

Spaz exists in a world where normals are uneducated and ignorant of their past, and spend most of their time fighting to stay alive and probing their brains like dope addicts to escape the Urb and experience a taste of Eden. Because Spaz has epilepsy, he is unable to probe and thus has a unique clarity in his understanding of the world around him. It is this clarity that allows him to continue the work of his friend Ryter, to tell the story in the last book in the universe, so that others may know their past and work towards a better future. His ability to turn his disability into an advantage makes for a strong main character, and gives the reader hope when viewing such a desolate future existence.

Lowry, Lois. The Giver. Bantam Books, 1993. ISBN 0553571338. Ages 12-14.

Jonas lives in a world untouched by war or famine, fear or pain. When children reach the age of twelve, the Elders ceremoniously give each child their assignment for life. A great honor, Jonas is bestowed with the assignment of receiving training from The Giver, the only one to hold the memories of how the world used to be. This knowledge does not come without a heavy price, for Jonas must be given all the memories, no matter how painful or frightening, before The Giver retires and Jonas takes over. But when the truth is too much for Jonas to bear, he must make the ultimate sacrifice in order to set things right.

Haddix, Margaret Peterson. Found (The Missing: Book 1). Simon & Schuster, 2008. ISBN 978-1416954170. Ages 9-12.

Thirteen years ago a plane full of babies appeared out of nowhere, then later disappeared without a trace. Now Jonah and his friend Chip, who are both adopted, are getting anonymous messages and warnings telling them they are “one of the missing.” Along with Jonah's sister Katherine, they vow to solve the mystery. Were they two of the babies from the plane? And if so, where did they come from? And who is sending the mysterious messages? Find out in Found, the first book in Haddix’s exciting new series—The Missing.